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Maggy Simony wanted to write a book about sociable bridge and she has done just
that! She explains her motivation: a subterranean sisterhood, existing by word of mouth — no structure or
organization — almost no paper trail except in women’s magazines
and cookbooks.”
There are millions of bridge
players in North America, even
tens of millions, yet only a small
percentage are represented by
the competitive bridge leagues.
Maggy wanted a book that put
a spotlight on the vast majority
of players whom she feels are
responsible for the growth of
the game.
Helen and Robert Lynd, in
their book MIDDLETOWN IN
TRANSITION, have this to say
about bridge: “It is conceivable
that bridge never would have
been anything but the sport
of an esoteric few, had its
growth depended entirely on the
male world. Its development,
however, has been primarily in
the hands of women.”
Maggy would
agree. Her
book, BRIDGE TABLE or What’s
Trump Anyway, is an informal “herstory”
of notes, quotes, anecdotes,
menus, recipes, and trivia.
“Learning to play bridge for
daughters was like
a rite of passage.
If they didn’t learn
to play bridge at
home, they learned
at college. Bridge
was rampant in
dorms and sororities.” Maggy points
out that bridge was more than just a
game: “Women referred to their get-togethers
for bridge and lunch as
‘my bridge club’—without the
formalities of a true club. Perhaps
calling it a club was a way to
legitimize what was essentially a
frivolous activity, providing a better
excuse for getting out of the house.
Ladies-only-at-home-bridge—and lunch—
clubs typically have no rules,
no president, no minutes, only a pattern
of
rituals acquired over the years."
Bridge
has been a century-old tradition which “grew
steadily from 1900 through 1920, exponentially
as a fad in the 20s and 30s,
thrived and survived during the 40s to
become an icon of the 50s and 60s.” It
fell in popularity for a few years, so
much so that some thought the game would become extinct.
Yet bridge is back in the early years of this century! Maggy feels that this is a very good thing. “It deserves to last amongst women another
hundred years. For a long mentally alert
life, and a happy old age, science is telling us these days
it’s better to have played bridge badly than
never
to
have played at all.”
The players who kept the
game alive for so many
decades in the last
century did
so in spite of the criticism.
“Kitchen Bridge was described
as the lowest form of the game. The ‘ladies
only’ bridge club
has been put down by the
culinary establishment and by
moral critics who took them to
task for wasting time on bridge
in the first place.”
It didn’t matter; women of
all ages kept playing bridge.
Maggy writes, “The survival of
sociable bridge depends upon
our boomer daughters taking
up their mom’s favorite game
so that it doesn’t die with my
generation of bridge-playing old
ladies from the 50s and 60s.”
Another woman writer,
Pulitzer Prize winner Carol
Shields, also felt the sociable
women’s bridge club deserved a
voice. Her play, THIRTEEN HANDS, is
about a whole generation of women
often overlooked. The book cover
explains: “The women in THIRTEEN
HANDS welcome a once-a-week
gathering at a bridge club as a time
to momentarily suspend feelings of
loneliness, isolation and fear, and
begin to indulge, reveal and celebrate
in the wonderful intimacy they form.
An intimacy that gets passed on, like
an exquisite heirloom, to the next
generation of bridge players.” Carol
writes, “Something important goes
on around a bridge table, a place
where many women have felt most
brilliantly alive.”
Bridge has often been played at the
White House. Maggy tells this story.
In 1946 Bess Truman invited her
entire bridge club to stay at the White
House for a long weekend of bridge
and a round of activities. THE TIMES
covered the arrival by plane of five of
he ladies, all wearing
new hats. There they
are in the AP wire photo, standing
by a TWA plane, waving goodbye to
their husbands, as they fly off to
Washington “where they have an engagement with Mrs.
Harry S. Truman.”
The flying half of the Tuesday Bridge
Club of Independence (the rest drove),
were met by a dozen reporters, half a
dozen photographers, two chauffeured
White House limousines, and one
man from the Secret Service. THE
TIMES reported that Mr. Truman
would follow the pattern of many a
good husband when the bridge club
meets at his house. “He’ll be away...”
Carl Anthony, the historian of the
National First Ladies’ Library, records
an interesting snapshot
of bridge at
the White House.
According to
him,
Jackie did not,
despite the best efforts of her regular playing
mother, Janet Lee Bouvier
Auchincloss, play bridge.
Even in the
first months after her marriage, when
Senator Kennedy sometimes played
a hand with his new mother-in-law
and her friends, Jackie would read a
book or paint instead. Anthony says
that one White House visitor recalled
this astonishing bridge foursome:
Jackie’s mother and a friend, and
Jackie’s mother-in-law, Rose Kennedy,
with Aristotle Onassis as a fourth.
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Sociable bridge has its advocates
in the professional bridge world.
Pamela Granovetter, world-class
player, and editor of BRIDGE TODAY
wrote that the tournament world in
America is “besotted with Inquisition-like director
calling” and a loss of
courtesy and camaraderie. She made
this astonishing proposal which came
as a surprise to Maggy. “I suggest we
change direction...develop bridge as
an entertaining, rather than a cerebral
sport...by simplifying the bidding so
that auctions would make sense to a
wide audience.”
Other world-class
players have the
same opinion. Zia
Mahmood, who
was on the U.S. team that recently
won the World Championships in
Brazil, says: “Top-level bidding has
become so artificial and complicated
that the majority of social bridge
players can’t follow along.” He
proposes tournaments that allow no
conventions at all.
Maggy says the most surprising
thing she learned while writing her
book was that the most prestigious
bridge club in the world, London’s
Portland Club, bars all conventions
and has done so since the beginning
of contract bridge in the 1920s.
Another author, Edward McPherson,
recently wrote a wonderful book
called the BACKWASH SQUEEZE. Maggy
reports that Edward attended a
beginner’s class at the Andrew Robson
Bridge Club in London. He found
stepping into this club was downright
cozy when compared to the mood-flattening
clinical fluorescence of
bridge clubs that McPherson had
experienced. The students are younger
than boomers, mostly in their forties,
some in their thirties. Robson’s
students drink wine, eat, and seem to
“glow with good Dickensian cheer.”
Their teacher, world-class player
Andrew Robson, is the most loved
bridge teacher in London. He has
taught thousands of people to play
bridge, from the rich and famous to
ordinary, rank beginners. McPherson
asks what possible satisfaction he
could get out of teaching beginners.
Andrew responds that he realizes
many of his students are never going
to be “terribly competent,” but he
insists that isn’t the point. “I know
it’s going to enhance their lives...they’ll make new friends...keep their
minds active, and give them pleasure.”
The game comes in many possible
formats. The players decide what they
want from the game. They decide
what it will bring to their lives, and
there are no apologies necessary for
choosing to play sociable bridge.

Serious bridge players are
appalled at the idea
of combining bridge with conversation and
lunch. It was even worse than that. Women’s
magazines offered ideas for including added
distractions when throwing a bridge party.
Themes and cunning color schemes for food
and bridge accessories were one way. Consider
this ultimate in playful bridge, offered by
GOOD
HOUSEKEEPING in 1930:
A Clowning Bridge Party
Everything is decorated with clown
figures for this merry party, from
centerpiece to mint cups, and guests
are to clown around, jokes from
start to finish.
During the bridge play, it’s
announced when the opponents play
the hand instead of the declarers.
The bridge rules are reversed. Low
score gets the first prize, high score
the consolation prize, and so on. we’re
told it “is a riot.”

Here’s what Professor David Scott has
to say about Maggy’s book:
“Maggy Simony has provided a fascinating
look at the world of sociable
bridge. At one level, BRIDGE TABLE is an
ode to a game that has brought
enjoyment and community to millions
of American women. On another level,
the book provides historical and sociological
insight into the rise and fall of
a popular North American pastime.
Although sociable bridge’s heyday is
in the past, Maggy is optimistic that
the game is due for a renaissance.
Bridge players and students of popular
culture alike will find BRIDGE TABLE an
enjoyable and interesting read.”
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