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What’s Trump Anyway?

 BETTER BRIDGE VOL. 14, NO. 2, NOVEMBER/DECEMBER 2009

Maggy Simony is a ‘sociable’ bridge player. This year, the spirited 89-year old writer from Cape Canaveral is publishing BRIDGE TABLE or What’s Trump Anyway?


Maggy Simony wanted to write a book about sociable bridge and she has done just that! She explains her motivation: a subterranean sisterhood, existing by word of mouth — no structure or organization — almost no paper trail except in women’s magazines and cookbooks.”

There are millions of bridge players in North America, even tens of millions, yet only a small percentage are represented by the competitive bridge leagues.

Maggy wanted a book that put a spotlight on the vast majority of players whom she feels are responsible for the growth of the game. Helen and Robert Lynd, in their book MIDDLETOWN IN TRANSITION, have this to say about bridge: “It is conceivable that bridge never would have been anything but the sport of an esoteric few, had its growth depended entirely on the male world. Its development, however, has been primarily in the hands of women.”

Maggy would agree. Her book, BRIDGE TABLE or What’s Trump Anyway, is an informal “herstory” of notes, quotes, anecdotes, menus, recipes, and trivia.

“Learning to play bridge for daughters was like a rite of passage. If they didn’t learn to play bridge at home, they learned at college. Bridge was rampant in dorms and sororities.” Maggy points out that bridge was more than just a game: “Women referred to their get-togethers for bridge and lunch as ‘my bridge club’—without the formalities of a true club. Perhaps calling it a club was a way to legitimize what was essentially a frivolous activity, providing a better excuse for getting out of the house. Ladies-only-at-home-bridge—and lunch— clubs typically have no rules, no president, no minutes, only a pattern  of rituals acquired over the years."

Bridge has been a century-old tradition which “grew steadily from 1900 through 1920, exponentially as a fad in the 20s and 30s, thrived and survived during the 40s to become an icon of the 50s and 60s.” It fell in popularity for a few years, so much so that some thought the game would become extinct.

Yet bridge is back in the early years of this century! Maggy feels that this is a very good thing. “It deserves to last amongst women another hundred years. For a long mentally alert life, and a happy old age, science is telling us these days it’s better to have played bridge badly than never to have played at all.”

The players who kept the game alive for so many decades in the last century did so in spite of the criticism. “Kitchen Bridge was described as the lowest form of the game. The ‘ladies only’ bridge club has been put down by the culinary establishment and by moral critics who took them to task for wasting time on bridge in the first place.”

It didn’t matter; women of all ages kept playing bridge. Maggy writes, “The survival of sociable bridge depends upon our boomer daughters taking up their mom’s favorite game so that it doesn’t die with my generation of bridge-playing old ladies from the 50s and 60s.”

Another woman writer, Pulitzer Prize winner Carol Shields, also felt the sociable women’s bridge club deserved a voice. Her play, THIRTEEN HANDS, is about a whole generation of women often overlooked. The book cover explains: “The women in THIRTEEN HANDS welcome a once-a-week gathering at a bridge club as a time to momentarily suspend feelings of loneliness, isolation and fear, and begin to indulge, reveal and celebrate in the wonderful intimacy they form. An intimacy that gets passed on, like an exquisite heirloom, to the next generation of bridge players.” Carol writes, “Something important goes on around a bridge table, a place where many women have felt most brilliantly alive.”

Bridge has often been played at the White House. Maggy tells this story. In 1946 Bess Truman invited her entire bridge club to stay at the White House for a long weekend of bridge and a round of activities. THE TIMES covered the arrival by plane of five of he ladies, all wearing new hats. There they are in the AP wire photo, standing by a TWA plane, waving  goodbye to their husbands, as they fly off to Washington “where they have an engagement with Mrs. Harry S. Truman.”

The flying half of the Tuesday Bridge Club of Independence (the rest drove), were met by a dozen reporters, half a dozen photographers, two chauffeured White House limousines, and one man from the Secret Service. THE TIMES reported that Mr. Truman would follow the pattern of many a good husband when the bridge club meets at his house. “He’ll be away...”

Carl Anthony, the historian of the National First Ladies’ Library, records an interesting snapshot of bridge at the White House. According to him, Jackie did not, despite the best efforts of her regular playing mother, Janet Lee Bouvier Auchincloss, play bridge.

Even in the first months after her marriage, when Senator Kennedy sometimes played a hand with his new mother-in-law and her friends, Jackie would read a book or paint instead. Anthony says that one White House visitor recalled this astonishing bridge foursome: Jackie’s mother and a friend, and Jackie’s mother-in-law, Rose Kennedy, with Aristotle Onassis as a fourth.

 Sociable bridge has its advocates in the professional bridge world. Pamela Granovetter, world-class player, and editor of BRIDGE TODAY wrote that the tournament world in America is “besotted with Inquisition-like director calling” and a loss of courtesy and camaraderie. She made this astonishing proposal which came as a surprise to Maggy. “I suggest we change direction...develop bridge as an entertaining, rather than a cerebral sport...by simplifying the bidding so that auctions would make sense to a wide audience.”

Other world-class players have the same opinion. Zia Mahmood, who was on the U.S. team that recently won the World Championships in Brazil, says: “Top-level bidding has become so artificial and complicated that the majority of social bridge players can’t follow along.” He proposes tournaments that allow no conventions at all.

Maggy says the most surprising thing she learned while writing her book was that the most prestigious bridge club in the world, London’s Portland Club, bars all conventions and has done so since the beginning of contract bridge in the 1920s.

Another author, Edward McPherson, recently wrote a wonderful book called the BACKWASH SQUEEZE. Maggy reports that Edward attended a beginner’s class at the Andrew Robson Bridge Club in London. He found stepping into this club was downright cozy when compared to the mood-flattening clinical fluorescence of bridge clubs that McPherson had experienced. The students are younger than boomers, mostly in their forties, some in their thirties. Robson’s students drink wine, eat, and seem to “glow with good Dickensian cheer.”

Their teacher, world-class player Andrew Robson, is the most loved bridge teacher in London. He has taught thousands of people to play bridge, from the rich and famous to ordinary, rank beginners. McPherson asks what possible satisfaction he could get out of teaching beginners. Andrew responds that he realizes many of his students are never going to be “terribly competent,” but he insists that isn’t the point. “I know it’s going to enhance their lives...they’ll make new friends...keep their minds active, and give them pleasure.”

The game comes in many possible formats. The players decide what they want from the game. They decide what it will bring to their lives, and there are no apologies necessary for choosing to play sociable bridge.

 

                                 

 

Serious bridge players are appalled at the idea of combining bridge with conversation and lunch. It was even worse than that. Women’s magazines offered ideas for including added distractions when throwing a bridge party. Themes and cunning color schemes for food and bridge accessories were one way. Consider this ultimate in playful bridge, offered by  GOOD HOUSEKEEPING in 1930:

A Clowning Bridge Party

Everything is decorated with clown figures for this merry party, from centerpiece to mint cups, and guests are to clown around, jokes from start to finish. During the bridge play, it’s announced when the opponents play the hand instead of the declarers. The bridge rules are reversed. Low score gets the first prize, high score the consolation prize, and so on. we’re told it “is a riot.”

                                 

 

Here’s what Professor David Scott has to say about Maggy’s book:

“Maggy Simony has provided a fascinating look at the world of sociable bridge. At one level, BRIDGE TABLE is an ode to a game that has brought enjoyment and community to millions of American women. On another level, the book provides historical and sociological insight into the rise and fall of a popular North American pastime. Although sociable bridge’s heyday is in the past, Maggy is optimistic that the game is due for a renaissance. Bridge players and students of popular culture alike will find BRIDGE TABLE an enjoyable and interesting read.”